Painting Process – Richmond Painting

Continuing on my path to try and be more abstract, this poor painting went through MANY iterations (not least of which was a completely new reference image after painting on it for about 3-4 sessions). I played with adding cars, removing cars, adding building details, removing details, changed the color palette from a sort of mauvy base to this more cerulean blue base. This is also one of the largest paintings I’ve attempted since college, hitting 3×4 feet. I struggle a lot with the scale. Only in the last 2 sessions did it really click that all I wanted to do was play with colors and layering (versus capturing structural details – my instinctive approach). I feel a little more confident about it, and already have ideas for what I want – no, how I want – to paint next.

After a few sessions, this was where the painting was. I was not happy with how bright it was and how there was no continuity of palette – just a full on rainbow that barfed on the page. I also was already giving detail I didn’t want.

I toned it down and tried to pretend like I didn’t know how to capture the perspective (it was too round and I wanted more angularity). I couldn’t handle it though.

That’s what I have to say about that painting!

Starting fresh. Leaning heavily on my tan/mauve and purple palette. It wasn’t striking a chord though.
Which is how it got so green! This is a sample of when I started adding too much detail (and cars) that I did eventually ditched. Not to say that it wouldn’t be fun to make a realistic painting of San Francisco again some day, but I am really trying to experience this new way of thinking about the process.

Kings were represented by famous tall buildings or towers: Sutro, TransAmerica, Coit and the Ferry Building clock tower. I think I chose them as Kings purely based on height.
Queens were some of the beloved bridges that are either in or connect to San Francisco: Bay Bridge both east and western spans, Golden Gate, and the slightly less famous but delightful bridge in the Japanese Tea Garden in Golden Gate Park. Perhaps I chose them for queens because they hold some of the real power in the city, as far as connecting us to our neighbors.
Jacks comprised of other famous tourist attractions including the Painted Ladies in Alamo Square, Alcatraz Island, Lombard Street, and the Palace of Fine Arts, which coincidentally happened to celebrate its 100th birthday this year.
Of course, the real character of the cards lies in the Joker, whom I aptly chose our dear Emperor Norton to fill the role of. It seemed all too appropriate. (Don’t know who he is? Check out the 






























