I worked on a project recently that was a lot of fun. A mother whose child attends a small daycare center wanted to pull together a unique thank you gift for the class’s teachers. She found a board she really liked on Etsy, and thought it would be fun to have pictures of the families to pin onto it. We got to talking and the idea expanded to be not just family photos, but vintage inspired travel postcard themed cards with a greeting of their choice on it. Each family had a fun story or background that we could highlight, so I whipped up a textured template (working with a limited palette that went well with the board she’d found) and I made a bunch of fun graphics to include on each family’s card. I also aged the photos a bit to make them fit in with the retro style a bit more.
Father came from Hawaii, and they love to surf!
They love to be outdoors, especially their garden.
Mom is from Trinidad and Father is from Norway, so they can never decide between skiing and surfing.
Parents are from Taiwan and New Jersey – their love met in the middle. They love biking and hiking, too.
All their love, from Switzerland.
We have a rivalry on our hands! Also, can’t forget the dog.
Both parents are basically professional dancers, both ballroom and swing.
Can’t forget the Frozen fans. (image blurred by family’s request).
A very fun, personalized gift for the teachers. They loved it so much they plan on keeping it in the classroom even after the current class has moved on.
It was a lot of fun coming up with graphics for each family and having it work with the theme. I liked the color palette a lot, too. Would be fun to make more graphics like this.
Oh, here’s the backside, where the family’s wrote their personalized messages. Complete with custom stamp and post office marker.
I recently spent a week in Austin and had such a fantastic time I decided to draw about it. Spending time with friends who just moved down there and knew the lay of the land was the added bonus, as we got such good insider knowledge on where to go (and eat!).
While my little illustrated thank you card to our fabulous hosts has a few inside jokes, for the most part, I think I captured the spirit of our trip with our adventures in learning the Texas Two Step at the honky tonkest joint I’ve ever seen, going to a UT Football game (the first time I’ve ever been to a college game, oh lordy), waiting in line for the most delicious brisket I’ve ever tasted, seeing the bats come out from under the bridge at dusk, enjoying live music and tasty beverages on Rainey Street, and playing a little bar trivia (and that’s not even mentioning the time we spent on the East side!). In addition, I thoroughly enjoy Austin’s mid-century modern style which can be found across the whole town in its architecture and interior design. Such a treat to see classic neon signage and amazing lettering used so well in so many places. Such a fun place, I’d like to draw it even more.
I came across an amazing gem of retro graphic design and illustration not too long ago. I don’t mean to startle anyone, but not only is it deliciously retro, but apparently the Federal Aviation Administration (FAA) still thinks it’s perfectly good to keep on using as their current manual for Aviation Weather For Pilots and Flight Operations Personnel. No but really, it’s still on their site ready as ever to be downloaded for consumption.
I mean, I suppose there’s no reason to change it though; the information about weather and flying probably hasn’t changed much since 1975. In fact, they make a point about it’s history and editions in the preface, which will no doubt serve as a viable excuse for this antiquated manuscript to remain a main resource for many, many more years to come:
“The publication began in 1943 as CAA Bulletin No. 25, “Meteorology for Pilots,” which at the time contained weather knowledge considered essential for most pilots. But as aircraft flew farther, faster, and higher and as meteorological knowledge grew, the bulletin became obsolete. It was revised in 1954 as “Pilots’ Weather Handbook” and again in 1965 under its present title.
All these former editions suffered from one common problem. They dealt in part with weather services which change continually in keeping with current techniques and service demands. Therefore, each edition became somewhat outdated almost as soon as published; and its obsolescence grew throughout the period it remained in print.
To alleviate this problem, the new authors have completely rewritten this edition streamlining it into a clear, concise, and readable book and omitting all reference to specific weather services. Thus, the text will remain valid and adequate for many years.”
Indeed. It’s very efficient.
I’m in love with the exaggerated expressions on the illustrated characters, the limited tri-color palette, and the design decisions made based on that restriction. Having a lot more flexibility in this day and age to create documents like this both quickly and easily, I do admire the painstaking effort that must have gone into creating this manuscript. I does make me count my blessings that I get to work on a computer instead of a typewriter, but am also sad because there is something about this document that is so full of character that I just don’t see in most of the design work that surrounds us these days.
I hope you enjoy this little find. I’m showcasing a few of my favorite samples from the book, but by all means, please download it yourself to see it in its full glory, or perhaps you can catch a copy of your own out there, still in hard copy.
This hotel was timeless, and by timeless, I mean totally dated. A relic from 1950 (60?), and loving it. I loved the typography of the name “Saga,” the two-toned peach paint job, the teal accents, cinderblock lattice walls, decorative concrete motifs, viking mosaic, and excessive use of palm trees. A total California retro gem. I was sad to see that they had attempted to update the interior of the rooms, so they weren’t nearly as cool.
My brother put me up here when I was down visiting in Pasadena, and I have decided it’s the only hotel I ever want to stay at again when visiting.
I spent the weekend in New Orleans, which was incredibly fabulous for many reasons. In addition to it being a fun town, it also has some of the most amazing architecture and atmosphere. When you see people trying to make “shabby-chic” look cool, NOLA is their muse, and frankly, is the only place that can get away with it and look authentic. The colors are vibrant, all the textures are perfectly weathered, and the wrought iron is delicate and intricate. It is genuine, rich, and chock full of its own history.
Last weekend, I took a little trip to LA, and on the way back to the Bay Area, I took my time stopping at some of my old haunts, and took a few pictures for posterity. The real treat was stopping over in Solvang, the cute little Danish town in the heartof the Santa Ynez Valley. I used to travel here when I was a kid, and remember loving the feeling of being immersed in this almost Disney-like fantasy world in the middle of basically nowhere. I don’t know what the windmill per capita ratio is, but I think it’s pretty high.
Aside from the cute fake thatched roofed houses, abundance of Danish pastries, and oodles of tourists, I also happened to notice all the beautify wood carved signage around town. There were many unique, hand crafted pieces that were very bright and bold that did a fantastic job of catching my attention, as signs are meant to do. Typographically, I think they’re lovely.