Painting Process – Richmond Painting

About Me, New Piece, Painting, Places

Richmond Painting 2017-03 mod web

Continuing on my path to try and be more abstract, this poor painting went through MANY iterations (not least of which was a completely new reference image after painting on it for about 3-4 sessions). I played with adding cars, removing cars, adding building details, removing details, changed the color palette from a sort of mauvy base to this more cerulean blue base. This is also one of the largest paintings I’ve attempted since college, hitting 3×4 feet. I struggle a lot with the scale. Only in the last 2 sessions did it really click that all I wanted to do was play with colors and layering (versus capturing structural details – my instinctive approach). I feel a little more confident about it, and already have ideas for what I want – no, how I want – to paint next.

Richmond - 1st round

After a few sessions, this was where the painting was. I was not happy with how bright it was and how there was no continuity of palette – just a full on rainbow that barfed on the page. I also was already giving detail I didn’t want.

Richmond - 2nd round

I toned it down and tried to pretend like I didn’t know how to capture the perspective (it was too round and I wanted more angularity). I couldn’t handle it though.

Richmond - nevermind

That’s what I have to say about that painting!

Richmond - 3rd round

Starting fresh. Leaning heavily on my tan/mauve and purple palette. It wasn’t striking a chord though.

Richmond - 4th round Which is how it got so green! This is a sample of when I started adding too much detail (and cars) that I did eventually ditched. Not to say that it wouldn’t be fun to make a realistic painting of San Francisco again some day, but I am really trying to experience this new way of thinking about the process.

Saga Motor Hotel, Pasadena

Places

This hotel was timeless, and by timeless, I mean totally dated. A relic from 1950 (60?), and loving it. I loved the typography of the name “Saga,” the two-toned peach paint job, the teal accents, cinderblock lattice walls, decorative concrete motifs, viking mosaic, and excessive use of palm trees. A total California retro gem. I was sad to see that they had attempted to update the interior of the rooms, so they weren’t nearly as cool.

My brother put me up here when I was down visiting in Pasadena, and I have decided it’s the only hotel I ever want to stay at again when visiting.

 

New Orleans

Places

I spent the weekend in New Orleans, which was incredibly fabulous for many reasons. In addition to it being a fun town, it also has some of the most amazing architecture and atmosphere. When you see people trying to make “shabby-chic” look cool, NOLA is their muse, and frankly, is the only place that can get away with it and look authentic. The colors are vibrant, all the textures are perfectly weathered, and the wrought iron is delicate and intricate. It is genuine, rich, and chock full of its own history.